Black Forest Anthropomorphic Rabbit

Black Forest Carved Inkstand with Anthropomorphic Rabbit and Tree Pen Holder

Origin: Brienz, Switzerland Date: Circa 1890–1910 Material: Carved walnut or linden wood, glass, and metal

Description

At the heart of this inkstand stands a carved rabbit (or hare) rendered in anthropomorphic form—upright on its hind legs, paws together, and dressed in a stylized coat or blazer. The rabbit’s posture and expression evoke a sense of gentle dignity, typical of Black Forest figural humor.

Flanking the rabbit are two glass inkwells, each topped with a hand-carved wooden lid shaped like a Tyrolean hat—complete with feather or brim detailing. These hats not only serve as lids but also reinforce the Alpine character of the piece, nodding to regional dress and folklore.

Behind the rabbit rises a carved tree trunk, its branches splayed upward and outward to form a naturalistic pen holder. The base is shaped like a rocky outcrop or forest floor, with leaf and root motifs that ground the composition in its woodland setting.

Context and Craftsmanship

• Black Forest carvings often originated in Brienz, Switzerland, and were prized for their realistic animal depictions, folkloric themes, and intricate handwork.
• This piece likely dates from the turn of the 20th century, when anthropomorphic figures—rabbits, bears, foxes—became popular in desk accessories and novelty carvings.
• The Tyrolean hats suggest a regional Alpine identity, referencing hunting culture or traditional dress.
• The glass inkwells are original to the piece, and the lids are carved to fit snugly, though they vary slightly due to hand-finishing.