Rooster and Hen Double Inkstand

Description of the Double Inkstand Signed “N. Vidal”

This inkstand is cast in spelter, a zinc-based alloy often used in the 19th century as a more affordable alternative to bronze. It features:

• Central Figural Group: A rooster and hen sculpted in mid-strut, rendered with stylized plumage. The scene evokes pastoral charm — a common theme in French decorative arts.
• Glass Inkwells: Two stemmed glass reservoirs are fitted into the base, each capped with a hinged metal lid.
• Rear Pen Rack: Behind the figural group is a raised pen holder, shaped like a branch, allowing for the placement of dip pens or quills.
• Base Design: The base is adorned with floral motifs and naturalistic textures, consistent with Art Nouveau styling.

About the Signature “N. Vidal”

The piece is signed “N. Vidal”, which has led to speculation about its creator. Two names surface in collector circles:

1. Nicolas Vidal (1831–1892)

• Sometimes cited as a French artist who specialized in decorative metalwork and inkwells.
• However, no definitive biographical records confirm his existence or link him to signed works.

2. Louis Navetel Vidal (1831–1892)

• A documented sculptor who was blind and worked by touch, trained under Antoine-Louis Barye and Rouillard.
• He exhibited at the Paris Salon from 1859 to 1882, and his works were patronized by Princess Mathilde and the Rothschilds.
• He signed his works “Vidal (aveugle)”, meaning “Vidal (blind)”.

Despite these associations, there is no verified connection between Louis Navetel Vidal and this inkstand. The signature “N. Vidal” may be a workshop mark, a commercial pseudonym, or a modern attribution.

Date and Origin

• Likely Made: Circa 1890–1920
• Place of Origin: France, possibly Paris or Lyon, where decorative spelter casting was common.
• Style: Art Nouveau, with naturalistic themes and flowing forms.

Collector’s Note

There is debate among collectors—including members of the Society of Inkwell Collectors—about the authenticity and age of inkstands signed “N. Vidal.” Some believe these pieces are modern reproductions dating from the late 20th century, citing:

• Repeated appearances on eBay and Etsy
• Lack of wear or patina
• Inconsistent casting quality

However, others maintain that some examples are genuinely antique, especially those with original glass fonts, refined casting, and consistent provenance.

Summary