Wedgwood & G. Betjemann Gilt Bronze “Dolphin” Inkstand

This is an example of high-Victorian luxury desk furniture, representing a collaboration between England’s premier ceramicist (Wedgwood) and one of London’s finest “fancy goods” metalworkers (G. Betjemann & Sons).

Overview A fine quality Neoclassical revival inkstand, dating to the late 19th century (c. 1870–1900). It combines a Wedgwood Blue Jasper Dip body with substantial gilt bronze (ormolu) mounts.

Description

• The Base: The piece rests on a heavy, circular gilt bronze plinth. The wide rim is engraved with a continuous Greek Key (meander) pattern. Set into the base are three circular Wedgwood jasper medallions featuring classical white relief figures (likely Muses or mythological scenes), each framed in a rope-twist bronze bezel.
• The Inkwell: The central vessel is a classic urn shape in blue jasper dip. It is decorated in white relief with festive swags (garlands) suspended from paterae (rosettes).
• The Feet: The inkwell is supported by three white jasper dolphin-form feet, their tails supporting the bowl and heads resting on the bronze base. The dolphin is a classic motif in Neoclassical art, symbolizing safe travel and water.
• The Lid: The hinged gilt bronze lid repeats the Greek Key motif of the base and is topped with a turned finial.

Markings & Attribution

• Metalwork Maker: The interior of the lid is stamped “G. BETJEMANN & SONS / REGISTERED / 95”. This refers to the famous London firm founded by George Betjemann (active c. 1859–1930s), best known for their patented “Tantalus” decanter sets and high-quality mechanical box fittings.
• Retailer: The rim of the glass liner is engraved “MELLISHIP & HARRIS, 62 BAKER St. W.”. This identifies the luxury stationer and fancy goods shop in London where the piece was originally sold.
• Ceramics: The blue and white stoneware is unmistakably Wedgwood. (Note: If the pottery is marked “WEDGWOOD” only, it is pre-1891; if “WEDGWOOD ENGLAND,” it is post-1891).

Note This inkstand is a desirable “marriage” of top-tier manufacturing. Betjemann & Sons frequently mounted ceramics from major factories (like Wedgwood or Royal Worcester) to create expensive giftware for the London luxury market. The presence of the original retailer-marked glass liner is a bonus.