Nymph Resting on a Lotus Leaf

Description

This Art Nouveau figural inkstand is cast in spelter (white metal) with a dark patinated finish.

• The Base & Form: Designed in the shape of a large, undulating lotus leaf. The broad front rim curves upward smoothly, functioning as a built-in pen tray.
• The Figure: A partially draped nude maiden or nymph reclines gracefully across the leaf, lounging back with one leg bent over the other and her upper body resting against the edge. Her arms are bent gently near her shoulder, and her hair is styled in a high period bun.
• The Inkwell & Insert: Beside her sits a deeply sculpted, fully bloomed lotus flower that serves as the ink reservoir. The top portion of the flower petals forms a hinged lid, which lifts to reveal a removable white ceramic inkwell insert.

Origin, Maker, and Period

• Where was it made? Most likely France or Germany/Austria. European foundries in France (often working with régule) and Austro-German manufacturers produced vast quantities of Art Nouveau decorative metalwork featuring water nymphs, lotus leaves, and reclining maidens.
• When was it made? Circa 1900–1915 (Art Nouveau period). The organic, sinuous lines of the leaf tray and the sensual, naturalistic nymph motif are hallmark traits of the French Belle Époque and German Jugendstil movements before Art Deco emerged post-WWI.