Imari Stye Porcelain Inkwell

This hexagonal Imari style porcelain inkwell features the characteristic “Kinrande” palette of underglaze cobalt blue, overglazed iron-red (orange), and gold (gilt) highlights on a white porcelain ground.

Description

• Form: The inkwell has a hexagonal (six-sided) body and a matching hexagonal hinged lid.
• Shoulder: The top flat surface, or “shoulder,” is finished in a solid, vibrant matte iron-red color.
• Central Motif: One main panel features a colorful bird in flight, depicted with a long black beak, a blue head and wings, a pinkish-red throat, and a green back. The tail feathers are decorated with “eyed” spots reminiscent of a peacock, though the bird’s profile strongly resembles a kingfisher or a stylized hummingbird.
• Floral Decoration: Other panels and the lid are adorned with stylized floral sprays, including orange-red blossoms and dark blue leaves outlined in gold.
• Hardware: The lid is attached to the body via a brass collar and hinge mechanism.
• Base: The underside is plain white and unmarked, which was common for export pieces intended for the Western market.

Origin and Maker

• Origin: While the “Imari” style originated in the Arita region of Japan, this piece was likely produced as export ware for the European or American markets. It could be a Japanese Meiji period (1868–1912) piece or a high-quality European imitation.
• Potential Maker: A strong candidate for the maker is Samson of Paris (Edmé Samson), a famous 19th-century French workshop known for producing meticulous copies of oriental porcelain, including hexagonal Imari designs.

Estimated Age

The inkwell dates to the late 19th century (circa 1880–1900). The style of the brass mount and the specific “Japonisme” influence on the bird and floral motifs are highly consistent with the Victorian or Napoleon III eras when Asian-inspired desk accessories were in high demand.