French Porcelain Inkstand
| Categories | Ceramics/Porcelain non-Figural |
| Material | Porcelain |
| Markings | Unmarked |
| Manufacturer | Undetermined |
| Origin | France |
| Date or Era | circa 1890 |
This is a delicate French porcelain inkstand, likely dating from the late 19th century (circa 1880–1900). It exemplifies the era’s fondness for “boutonnière” style desk accessories, often characterized by soft colors and floral motifs.
Description
- Inkwell & Lid: The inkwell features a globular body with a matching domed lid, both decorated with a swirled (gadrooned) texture. The porcelain is a pale “baby blue” with hand-painted gilt (gold) accents highlighting the ridges.
- Mounts: The lid is attached to the body by a simple brass hinge.
- The Tray: The base is an asymmetrical, scalloped tray with a “rococo” inspired rim. The center is white, fading into a blue ombre at the edges.
- Decoration: It is hand-painted with sprays of cherry blossoms or small wildflowers in earthy brown and soft pink tones. Interestingly, a small dragonfly is painted near the center, a common motif in French porcelain influenced by the Japonisme movement of the late 1800s.
Origin and Age
While there are no maker’s marks on the underside, the style is very consistent with French porcelain centers like Limoges or Paris.
- Style: The combination of swirled porcelain and delicate floral sprays is a hallmark of “Old Paris” (Vieux Paris) porcelain.
- Era: The late 19th century saw a high production of these sets for domestic use. The lack of a “France” stamp on the bottom suggests it may have been produced for the domestic French market rather than export, or it dates just prior to the McKinley Tariff Act of 1890, which required imported goods to be marked with their country of origin.
Sold for $35 in January 2026
Content disclaimer. The information posted is the owner’s best knowledge and may not have been vetted by the SOIC. We welcome comments, corrections, and additions, working to make our website information comprehensive and accurate.
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