Cut Crystal Inkwell with Sterling Silver Lid

Description

The Glass Body

The inkwell features a heavy, clear cut-glass body of square architectural form. The sides are defined by deep, vertical concertina-style fluting, creating a rhythmic series of V-shaped ridges that provide brilliant light refraction.

• Form: The corners are notched and stepped, giving the piece a substantial, blocky silhouette.
• Base: The underside is finished with a large, multi-point radiating starburst cut.
• Shoulder: The glass tapers slightly upward toward a central reservoir, where the silver mount is fitted.

The Silver Lid and Mount

The piece is crowned with a circular, sterling silver hinged lid.

• Monogram: The center of the lid is expertly hand-engraved with an intricate, interlocking Edwardian script monogram. While highly stylized, it appears to feature the initials “SWS” or “JWS.”
• Border: The lid is finished with a gadrooned (notched) rim.

Hallmarks and Identification

The hallmarks on the collar provide a definitive pedigree:

• Maker’s Mark: J.G & S for John Grinsell & Sons.
• Assay Mark: An Anchor, signifying the piece was assayed in Birmingham.
• Standard Mark: The Lion Passant, indicating .925 sterling silver.
• Date Letter: A lowercase “d”, confirming the year of manufacture as 1903.
• Pattern Number: The stamped number 491 likely refers to the specific factory pattern or model number for this design.

About John Grinsell & Sons

John Grinsell & Sons was a highly regarded firm of manufacturing silversmiths founded by John Grinsell in Birmingham around 1864. They were particularly famous for their expertise in silver-mounted glass, combining high-end crystal with functional silver elements.

• Reputation: The firm was known for “Cupid Brand” (their trademark) and maintained prestigious showrooms in London (Victoria St.) and Glasgow.
• Specialization: While they produced a variety of silver goods, they excelled in utilitarian luxury items—specifically inkwells, claret jugs, and biscuit barrels.
• Legacy: Their work from the 1903 period sits at the transition between the ornate Victorian style and the cleaner, more geometric lines that would eventually define Art Deco. This specific “concertina” glass cut is a testament to their ability to produce items that were both physically imposing and elegantly detailed.