Crying Boy Inkwell

This figural inkwell, dating from the late 19th century (circa 1880–1900), is sometimes referred to as the “Crying Baby” or “Crying Boy” inkwell.

Physical Description

• Subject & Form: The inkwell is cast in the shape of a distressed infant’s head with a wide-open mouth, shut eyes, and realistic facial folds. The base is cast with a ruffled, fabric-like collar that acts as a stable pedestal.
• Material: Spelter metal
• Functional Design: The open mouth is an integrated pen rest, allowing a dip pen to be cradled across the lips when not in use.
• Interior: It retains its original white porcelain (ceramic) insert.

• The Markings: The mark on the bottom (which appears to be a Roman numeral “I” or a “1”) is most likely a foundry mold number or a pattern mark used during the casting process rather than a specific manufacturer’s logo.

• The Hinge: The hinge is a replacement. The bright brass and the prominent, relatively modern-looking slotted screws contrast with the age and patina of the cast metal. Originally, these pieces typically used a more discreet “hidden” hinge or a smaller, blackened iron hinge integrated directly into the lid and back of the head.
• Historical Context: This “Crying Boy” motif was a popular theme in 19th-century decorative arts – a precursor to the later mid-century obsession with “crying boy” paintings. In the Victorian context, it was seen as a humorous, theatrical addition to one’s desk.