Cherub Holding an Olive Branch

Description

• Central Figure: A sculpted putto (cherub) seated upon a rocky outcrop, raising a leafy branch aloft (stylized olive or laurel leaves representing peace and distinction).
• Inkwells: Twin urn-form ink reservoirs with swirling Rococo-style hinged dome lids, flanking the central figure. Both retain their original removable white ceramic inserts.
• Base & Pen Tray: A scalloped base bordered by scrolling acanthus leaves, shell-fluted reservoirs, and a front oval pen depression adorned with low-relief floral garlands.

Origin, Maker & Date

• Date: Circa 1880–1905 (Late Victorian / French Belle Époque).
• Origin: Most likely France. The facial modeling, scrolling acanthus lines, and putto subject are hallmarks of French decorative deskware (encriers) from the late 19th century.
• Maker: Typically produced by commercial Parisian foundries. Pieces like this were rarely artist-signed unless cast in solid bronze by a listed sculptor.
• Material & Finish: Cast spelter (régule / zinc-based white metal) featuring a two-tone patinated finish—a warm coppery-bronze tone on the cherub and an antique verdigris/dark bronze patina across the base and inkwells.