Inkipedia

Porcelain Inkwell with Jade Lid

Categories Far East / Oriental
Material Jade, Porcelain
Markings Unmarked
Manufacturer Edward I Farmer
Origin United States
Date or Era circa 1920
Measuring 3 ½” diameter; 3 ⅛” high

This inkwell exemplifies the unique artistic vision of Edward I. Farmer (1872-1942), seamlessly blending antique Chinese artistry with European sensibilities. The central element is a striking inverted porcelain wine cup, dating from the Yongzheng (1722-1735) or Qianlong (1736-1795) period of the Qing Dynasty. This cup boasts a rich ruby red glaze, a highly prized color in Chinese ceramics.

A hinged lid has been expertly mounted onto this porcelain base, transforming it into a functional inkwell. Adorning this lid are two meticulously carved jade pieces from the late Yuan Dynasty (1271-1368) or early Ming Dynasty (1368-1644). These include a white celadon jade floral pierced plaque, with delicate openwork carving, and a charming carved white jade duck.

The inkwell is further enhanced by gilt bronze metalware featuring elegant scrolling floral decoration, providing a refined European-style mounting and likely the hinge mechanism for the lid.

Edward I. Farmer (1872-1942) was an American designer and entrepreneur who established a prominent gallery in New York City that specialized in blending Asian (primarily Chinese and Japanese) art and antiques with European design aesthetics to create unique and decorative objects for a discerning clientele.

  • Artistic Vision: Farmer was known for his innovative approach to repurposing and combining antique Asian pieces, such as ceramics, jades, and textiles, with Western mounting techniques and styles. He had a keen eye for quality and beauty in both Eastern and Western traditions.
  • Product Range: His gallery offered a diverse range of items, including lamps, jewelry, furniture, and decorative objects like this inkwell. These pieces often showcased the craftsmanship of both cultures, giving antique elements a new life and function within a Western context.
  • Influence and Clientele: Farmer’s work was highly regarded, and his gallery attracted wealthy and influential clients who appreciated the unique and often luxurious nature of his creations. His designs were fashionable during the early to mid-20th century.

Sold for $1985 in April 2025

Content disclaimer. The information posted is the owner’s best knowledge and may not have been vetted by the SOIC. We welcome comments, corrections, and additions, working to make our website information comprehensive and accurate.

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